
16 Chapter Novel. For 3-8 graders.
Illustrated by Ryan Lanigan.
Lights. Camera. Action. Two seventh-graders are helping their parents make a movie in 48 hours as part of a national competition. But things don’t always follow the script.
It was a dark and stormy night. Really, it was. I’m not
kidding. Just listen.
Crack! Boom! BAM!
Hear that thunder? Told you so.
Our neighbors across the street had lost their power
half an hour ago. One minute the houses were lit up like
Christmas trees. Th e next minute they were swallowed by
the darkness.
“It’s like the inside of Mammoth Cave over there,” I
said, staring out our bay window.
“Yeah, everything just disappeared,” my sister, Isabelle,
agreed. “Poof!”
She snapped her fingers close to my nose.
“More like ‘Crash!’” I said, slapping my hands together.
It was a good imitation of lightning striking the power
lines if I do say so myself.
We were watching for Dad’s car to pull into the
driveway any second now. He’d entered us in a national
contest called the 48 Hour Film Project. We’re one of
thirty-two teams competing to write, shoot, edit, and
produce a short movie in only two days.
We’re not professionals, just amateurs doing it for fun.
But we can’t get started until Dad tells us what he learned
at the project meeting tonight in Cincinnati. So six
members of our team were killing time until he got home.
Everyone was getting antsy because minutes matter
when you only have 2,880 of them.
“I wouldn’t want to be caught on the interstate in this
storm,” Dr. Bob said, pushing his blue-tinted glasses
higher on his nose.
He reached down to pat Bagel, his beagle. Th e hefty
hound goes everywhere with Dr. Bob, even to classes at
Northern Kentucky University where he and Dad teach.
“A car could easily skid off the wet pavement,” Dr. Bob,
a.k.a. Dr. Gloom and Doom, added in case we weren’t
worried enough.
“Thanks for that comforting thought, Bob,” Mom said,
dialing Dad’s cell phone, again.
But Dad still didn’t pick up. And the phone wouldn’t
kick over to voicemail. The summer storm must be
screwing with the satellite system.
“Michael’s probably sipping hot coffee inside a cozy
restaurant, waiting for the storm to pass,” said Ellen
Zhang, one of Dad’s former journalism students.
Ellen’s in her mid-twenties, ethnically Chinese, and
stands out in a crowd with her short, spiky, orange hair.
It’s not her natural color.
“I hope so,” Mom said, twirling her brown ponytail
nervously as the rain continued to beat against the window.
The commute from Cincinnati to our home in Northern
Kentucky usually takes twenty minutes, depending on
traffic—and weather. Dad should have left an hour ago.
Our house lights flickered twice, but we didn’t lose
power. Still, it made Mom uneasy.
“Marlowe, why don’t you and Isabelle round up some
flashlights, just in case,” Mom suggested.
“Bet I can find more than you,” Isabelle challenged me.
“Loser takes out the trash for a month,” I said, upping
the ante.
Isabelle is 13, like me, although we’re not twins. She’s
got darker features—hair, eyes, and complexion, while I’m
in the “fair” category.
That’s not surprising since we were born in diff erent
countries and to different parents. Mom and Dad had
finished all the adoption paperwork with the Guatemalan
government when they learned Mom was pregnant with me.
Such sensational news didn’t change their plans. They
flew to Guatemala City and brought Isabelle home when
she was three months old. I was born six months later.
We’re close, but very competitive. I quickly hunted
down three flashlights. Isabelle found four.
“Girls rule!” she shouted.
But only two of Isabelle’s flashlights had batteries that
worked, and there were no spares in the junk drawer. So I won.
“Good-bye garbage,” I gloated.
I basked alone in my glory. The grown-ups had other
concerns on their minds.
“How long can the laptops operate on batteries if the
electricity gets zapped?” Mom asked.
“A couple hours—max,” Manny said.
Manny, our camera guy, is seriously into electronics.
He’s usually plugged into an iPod, iPhone, or iSomething.
“I could pump some juice into them from a generator if
I had to,” Manny added. “Might fry ’em, though.”
“Why so worried about the laptops? Can’t you live
without your YouTube?” I kidded Mom.
“I’m so used to composing stories at the keyboard,”
Mom said, “that it would be hard to write this movie
script by hand.”
Our mom, Julie Adams, is a freelance writer for some
major magazines. She and Ellen, a feature reporter for The
Kentucky Gazette, will be our screenwriters. They can make
subjects you don’t even care about sound exciting. Like
bass fishing.
“It’s too bad we can’t map out a few scenes while we’re
waiting,” Ellen said.
You can’t cheat and get a head start on writing because
you don’t know—until the Friday night meeting Dad
went to—what type of fi lm you’ll be making. Th at’s
determined by the slip of paper you pull out of a hat,
pillowcase, or cauldron for all I know.
“I hope we don’t get stuck with Romance or Western.
Yuk!” Isabelle said, sticking her finger down her throat.
“I vote for Fantasy or Thriller,” I said.
As if on cue for a scary movie preview, lightning lit up
the sky as thunder rumbled outside like distant gunfire.
Isabelle, who can’t sit still for more than two minutes,
tops, started turning cartwheels down the hallway.
Moments later she yelled, “Come here. Quick!”
We hustled to the hallway. Judging by Isabelle’s tone, I
expected some catastrophe.
“Did lightning strike the house? Is it on fire?” I asked,
searching for smoke, flames, or smelly scorch marks.
I figured we’d at least sprung a leak in the ceiling
and water was gushing down the walls. But no fire, no
flood. Just a message on the answering machine that was
winking and blinking.
How did we miss a call? The storm must have drowned
out the ringing.
“Sorry, everyone,” Dad said when Isabelle pushed the
play button. “I couldn’t see the taillights of the car in front
of me, so I pulled over for a while until the storm lets up.”
The phone line had a lot of static on it, so it was hard to
hear everything clearly.
“Go ahead and get started without me,” Dad continued.
“The movie genre we drew is . . .”
That’s all we heard because the connection went kaput.
End of message except for an ear-splitting “beep, beep, beep.”
The noise lasted just a few seconds because our lights
flickered again. Only this time they went out, and
stayed out.
The electric clocks stopped, too, but our precious
minutes continued ticking away.
And we were still in the dark about what type of movie
we were supposed to make in the next forty-eight hours.

Buy 48 Hours
48 Hours sells for $14.99 plus shipping and handling.
To order via mail, print and fill out this form and mail it along with payment to:
Clark Legacies LLC
PO Box 34102
Lexington, Kentucky, 40588
You can also order via phone by calling 859.233.7623 or 800.944.3995
To order for classroom use:
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